Author: Marie

Talk of the Town

TALK OF THE TOWN with Mike Aguirre Fri 3pm

DAVID LOY: THE FIRST AMENDMENT–FREEDOM OF SPEECH

TODAY’S show is a reprise of a conversation Mike had with David Loy, Legal Director of the First Amendment Coalition.

David became the First Amendment Coalition’s legal director in 2022. David is an experienced free speech and open government litigator. He has defended the First Amendment rights of reporters, photographers, bloggers, students, teachers, activists, protesters, musicians, Marines, and motorcycle club members. He has fought for public disclosure and governmental transparency for over 20 years.

Before joining FAC, David served as legal director of the ACLU Foundation of San Diego & Imperial Counties for almost 16 years. He also worked as a staff attorney with the Office of the Appellate Defender in New York City, a public defender in Spokane, Washington, and a staff attorney with the Center for Justice in Spokane.

He received his A.B. in History and Chinese Language from Brown University, where he was photo editor of the Brown Daily Herald. After college, he worked for a law firm in San Francisco, taught English in China, and served as the legal assistant for a Chicago legal services office. He graduated from Northwestern University School of Law in 1994 and clerked for Judge Dolores K. Sloviter of the United States Court of Appeals for the Third Circuit.

David is an active member of the California and New York bars, with inactive status in Washington and Illinois. He has served on the Southern District of California lawyer representative committee and the boards of California Appellate Defense Counsel and American Constitution Society, San Diego Lawyer Chapter.

https://firstamendmentcoalition.org/

East County Magazine

EAST COUNTY MAGAZINE with Editor and Investigative Journalist Miriam Raftery Fri 5pm, Sat 8am, Monday 5pm, Tues 8am

About East County Magazine. Our mission is to provide in-depth news, views and events coverage for the inland areas in San Diego County, reflecting the broad diversity of people and issues in our region, particularly those under-represented in other media. As nonprofit media, we reflect the public interest—not special interests, with a strong commitment to covering social justice issues,  diverse and mulicultural voices,community concerns, environmental/land use issues, and nonpartisan political  stories in our region’s urban, rural, mountain and desert communities. We also celebrate our region’s attractions and rich cultural heritage, with special sites such as Best of East County, Tribal Beat, People Power, Refugee Voices, Arts and Music, and more.  

East County Magazine also founded and operates East County Wildfire & Emergency Alerts, keeping people safe and informed throughout San Diego County via e-mail and Twitter alerts. In addition we produce the East County Magazine radio show on KNSJ 89.1 FM. 

Editor and Founder Miriam Raftery has over 35 years experience as a journalist and editor.  She has won more than 400 major journalism awards, including the American Society of Journalists & Authors’ national Arlene Award for community journalism and San Diego Press Club’s Best of Show award prior to founding ECM.

She has covered major news stories including the California wildfires, Congressional and presidential elections, and Hurricane Katrina, as well as topics ranging from politics and election integrity to health, nutrition, homes and gardens.  

A former columnist and freelance writer for the San Diego Union-Tribune, she has also worked as an editor of a national nutrition journal and a literary magazine as well as senior national investigative reporter for RawStory.com. Her works have appeared in many national and regional publications, from Woman’s Day to Arizona Highways, as well as in many local community newspapers and magazines. An East County native, she takes pride in exploring East County’s back roads and byways, leaving no stone unturned in the quest for news and feature stories.

https://www.eastcountymagazine.org

San Diego Screenwriters

SAN DIEGO SCREENWRITERS STUDIO with Gail Stewart Fri 4-4:30 pm

San Diego Screenwriters Studio teams up with a local filmmaker who is making it happen!

“Local filmmaker Ted Holmes has never taken a screenwriter class, didn’t know hard it is to get a show on a streaming service, yet he wrote a television pilot, got a grant, put together a crew, filmed a pilot and, got an agent who launched it Amazon.

“Turn and Burn” is Ted Holmes’ comical half-hour pilot which pokes fun at working in the service Industry, the dating scene, and also surviving roommates…that hate you.”

Juneteenth

HAPPY JUNETEENTH

Freedom Day, for African descendants of American Chattel Slavery, June 19th, 1865. On this day, Union Army Major General Gordon Granger delivered General Order No. 3 in Galveston, Texas, announcing the freedom of enslaved people in Texas. We honor the unbelievable scenes of jubilation and celebration of the formally enslaved Africans, to General Granger’s enactment of President Lincoln’s Emancipation Proclamation of 1863.

What most people don’t realize are the milestones it took to get to this point–from the conscience of a nation to the sacrifice of her righteous residents, and the victims of her shameful oppression.

We (ASD/KNSJ) are standing in solidarity and with confidence in the continued struggle to make the United States of America live up to a more expanded and inclusive version of itself. Who initially promised freedom to a few, as we struggle to make true freedom, accessible to ALL. —Yusef Miller

Yusef Miller is the Executive Director of Activist San Diego, and African-American Historical Researcher and lecturer. A Social Justice Activist, involved in many forms of struggle pertaining for Equity and Justice for all, in Local, State and National arenas.

Poetry Break


A guest on Susan Taylor’s The Electric Picnic, a program about poetry, spoken word, prose and other creative arts, Olivia shares two of her poems with KNSJ.

–By Permission from Olivia Mercedes

Olivia Mercedes is a perpetually overwhelmed human who relies on creative mediums to process the intense spectrum of her conscious experience. Her poetry has been published, her artwork has been exhibited, her voice has been featured, but her most beloved accolades are the moments of real-life connection in response to her authenticity. She finds hope and gratitude in inspiring someone to feel, to question, to learn, to heal, to express, and ultimately to be more fully human. 

instagram: @oliviamercedesart

how to write a poem

first, gather your materials:

you’ll need something to write with,

something to feel with,

something to think with,

and enough vulnerability to actually use these.

you’ll need a language

adequate enough to transpose the sparks of synapses

setting fire to your imagination–

oh yes, you’ll need an imagination.

if capitalism has taken yours hostage,

you might be able to bargain with your inner child.

just make sure you use an encrypted messaging app,

the oppressor doesn’t like us to think

let alone imagine,

what this world might be like

if we all listened to poetry

instead of those in self-appointed power.

you’ll also need power,

but not the kind that’s harnessed inside an ego

the kind that’s harnessed inside every atom of the universe.

the universe that made everything before you

everything after you

and everything

you

are.

and chances are,

once you realize that,

once you realize that what qualifies you to write

is that which qualifies you to be human,

your pen will no longer feel foreign or like a burden,

rather it will appear as the instrument you’ve known how to play all along.

you will realize that a poem is not something you write

it’s something you witness.

and the words you use to capture it

are merely a photograph

documenting the reason we exist at all.

the hardest part of writing a poem

is noticing it.

noticing not only that it exists,

but that you exist inside of it.

the fact that you are asking how to write a poem

proves that you are one,

and the part of you that knows this

is simply asking for your attention

in the language of curiosity.

it’s existence itself

begging you

to experience it so fully, you can’t help but write it down.

like a message you know must be delivered, must be heard.

and in this way

you don’t write a poem, the poem writes you.

and if you so choose to surrender to its demands,

to allow your blood to dance like ink,

let your authenticity spill across the page,

your soul scream its unfiltered truths,

you will find yourself doing more

than writing poems

you will find yourself living them.

and what better way to exist,

than to live.

what better way to write,

than to be.

what better way to be,

than poetry.

What goes in a backpack? (From a conversation Olivia had with Susan during her interview on The Electric Picnic poetry show)
Olivia: okay Sue, I’ve written the second half of this poem, but not the first half, so I need your help with
the beginning. Can you help me brainstorm things that go in a backpack?
Sue: chapstick?
Olivia: that’s a great one, but the owner of this backpack doesn’t have any of their toiletries around.
What’s something else?
Sue: a pen?
Olivia: oh I wish, but their school actually isn’t in session, they don’t have their pens or notebooks right
now. What else?
Sue: a cell phone?
Olivia: ah unfortunately they lost their cell phone and all their electronics already. Anything else?
Sue: dog treats?
Olivia: oh sadly their dog has passed away…
Sue: a water bottle?
Olivia: I wish, but there’s no access to clean water or food where this person is right now. Ugh, I know
this is hard, this is why I needed your help! Thank you for helping me brainstorm, Sue. And before I
finish this poem, I’d like to preface this by saying I wish I didn’t have to do this.
I wish this were simply an exercise for us to stretch our imaginations,
but this is actually me using my imagination
to communicate to you
what is happening to our humanity.
because the owner of this backpack
is a little boy in Palestine named Ismael,
who was wearing his backpack on his chest
as he stepped out of an ambulance
and a journalist asked him what he had in his backpack.
and as blood dripped heavily
from the bottom of his blue bag
ismael answers,
“in my backpack i have Ahmed,
my dead baby brother.”
my dead
baby
brother.
when i asked you a moment ago
to brainstorm things that belong in a backpack,
there is a reason
you did not suggested that as an answer,
and that’s because
it’s not supposed to be one.

instagram: @oliviamercedesart

Women’s Radio Hour

WOMEN’S RADIO HOUR with Patricia Law Wed 5pm

SELF CARE: AN ACT OF POLITICAL WARFARE

GABRIELLA RESNCK joins Patricia this week in conversation about self care and political activism and more

GABRIELLA SAYS: Hi all! My name is Gabriella Resnick (she/her), and I am a gay, cisgender woman. I graduated back in 2022 with my Bachelors in Psychology and a minor in Women and Gender Studies from California Polytechnic State University, SLO, and I am currently in my final semester of my Masters in Marriage and Family Therapy program at Alliant International University here in San Diego. My passions intersect within the mental health/nutrition/political activism realms, and I feel lucky to have had this opportunity with Patricia to dissect “self care” and how patriarchy, capitalism, and classism have taken a hold on an idea inherently political in nature.

Civic Cipher

𝐂𝐈𝐕𝐈𝐂 𝐂𝐈𝐏𝐇𝐄𝐑 Wed 4pm

ONLY ON KNSJ IN SAN DIEGO

𝐂𝐢𝐯𝐢𝐜 𝐂𝐢𝐩𝐡𝐞𝐫 is a nationally syndicated radio show and podcast hosted by Q Ward and Ramses Ja. The program was created to foster allyship, empathy, and understanding, and bolster social justice efforts in hopes of creating a more equitable society for all. This show seeks to directly engage with diverse populations across the country.

↘ Set in motion in early 2020 by the violent and egregious murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Civic Cipher was created as a response to a desperate call to action, and an urgent need for change.

↘ Civic Cipher is intentionally, curated to be an invaluable, and timeless, resource for everyone. These conversations serve non-POC allies (as well as POC) who may not otherwise be privy to these types of discussions, perspectives, and optics.

↘ Providing long-form, engaging, data-driven conversations that easily fit in ALL spaces across personal, academic, and professional realms, Civic Cipher excellently packages and delivers purposeful, educational, and relevant material and warmly welcomes audiences across all demographics.

Co-host Q Ward is a 15+ year DJ and broadcast veteran. The Detroit native has spent over 20 yrs in the entertainment space spanning several different roles in and around professional sports, film, television, music and philanthropy. He’s had a very diversified life and career having lived and worked in 4 countries, on 3 continents and in over a dozen cities. Q is the former in-arena DJ for the Phoenix Suns, a manager for creatives, a BMI-published songwriter, co-host of Civic Cipher (a one-hour talk radio show currently broadcasting on over 100 stations nationwide), co-host of iHeartmedia’s Black Information Network Daily Podcast, and currently owns the media imprint Hip Hop Weekly. Q Ward

Co-Host Ramses Ja is an award-winning broadcasting professional with a career spanning over two decades on radio and television stations across the country. Being a celebrated DJ and media personality, Ramses has been featured on many billboards, magazine covers, newspaper articles, and naturally radio and television. Ramses has always taken this notoriety and used it to inspire Black and Brown youth. As a former president of his college’s Black Student Union, this has been central to his efforts his whole career. Ramses has gone on to win media and activist awards from several prestigious institutions including the NAACP and The Black Philanthropy Initiative. Currently, Ramses hosts Civic Cipher with Q Ward. Additionally Ramses hosts The Black Information Network Daily Podcast where he interviews Black journalists around the country to gain more insight into national news stories. The Black Information Network Daily Podcast is found on the Black Information Network—a subsidiary of iHeartmedia. @ramsesja

↘ Facebook/Instagram/YouTube: @civiccipher

Electric Picnic

THE ELECTRIC PICNIC with Susan Taylor Wed 3pm

KNSJ Supports San Diego’s creative arts community.

Susan’s weekly show highlights poets, authors and others in the creative arts scene

ARE YOU A POET, AUTHOR, JOURNALIST, LYRICIST, OR ???

If you are and are interested in KNSJ, let’s talk–contact us at info@knsj.org or email marie@knsj.org and tell us about yourself and your work. KNSJ IS THE HOME FOR THE CREATIVE ARTS.

We hope to hear from you soon.

Background Briefing

Monday-Friday at 2pm

Today’s Conversations

● Putting the US in Alignment With Israel, Trump Claims “WE” Own the Skies Over Tehran

● The Moral Dilemma of Fleeing Trump’s Fascism or Making a Stand With the Growing Opposition

_______________𝙂𝙐𝙀𝙎𝙏𝙎______________

David Hearst, the Editor of Middle East Eye who formerly was The Guardian’s chief foreign leader, its former Associate Foreign Editor, European Editor, Moscow Bureau Chief, European Correspondent, and Ireland Correspondent. We discuss his article at Middle East Eye, “By allowing Israel to bomb Iran, Trump is pushing Tehran to go nuclear.”

Marci Shore, a professor of history at Yale University who teaches the intellectual history of twentieth and twenty-first century Central and Eastern Europe. A refugee from Trump fascism, she is the author of Caviar and Ashes: A Warsaw Generation’s Life and Death in Marxism, 1918-1968, The Taste of Ashes: The Afterlife of Totalitarianism in Eastern Europe, and The Ukrainian Night: An Intimate History of Revolution. Her latest book is Eyeglasses Floating in Space: Central European Encounters That Came About While Searching for Truth. She was just profiled at The Guardian in an article “Why a professor of fascism left the US: ‘The lesson of 1933 is – you get out‘” and we explore the moral dilemma of fleeing Trump’s fascism or standing and fighting with the growing resistance.

Talk of the Town

TALK OF THE TOWN with Mike Aguirre Wed 1pm

Guest Warren Parker–USAID

REPORT ON USAID, THE CRISIS, CONSEQUENCES OF ACTIONS BY THE CURRENT ADMINISTRTION THE LIVES OF TENS OF MILLIONS OF PEOPLE ARE NOW IN JEOPARDY

GUEST WARREN PARKER, PHD. PUBLIC HEALTH & COMMUNICATION SPECIALIST

From Warren Parker:

I’ve worked on the HIV response for more than 30 years with a focus on the sociology of health and related communication. I lived in South Africa through to 2016, before moving to the US.

I led the national Beyond Awareness HIV campaign in South Africa in the 1990s as part of the post-apartheid government. In the 2000s, I established and led a South African non-governmental research organization called the Center for AIDS Development, Research and Evaluation (CADRE) that focused on AIDS response in African countries.

In 2009 I moved on to international consulting. Since 2000, I’ve worked in more than 25 countries, mostly in Africa, on health and development. My focus has been on applying participatory research approaches to bring community insights into disease responses, and issues such as maternal health, nutrition, education and gender-based violence prevention (more than 50 research projects). I’ve also supported the work of UNAIDS with a focus on the global AIDS response. 

Nearly all of the work describe above (post-2000) involved projects and activities funded by USAID. 

Following the foreign aid cuts in March this year, my work contracts came to a halt. This included work for UNAIDS linked to achieving global AIDS targets and goals, and sustaining the HIV response around the world. Work I was involved in for another international organization on pandemic preparedness (funded by USAID) was also ended.

My insights into the current situation include a strong grounding in African perspectives on HIV, health and development.

The paper I recently wrote with my colleague, Alan Whiteside, an internationally recognized health economist, looks at the implications of the US foreign aid cuts on HIV and AIDS. The key points we make are as follows:

1. The dismantling of USAID, including most of the projects funded under the President’s Emergency Plan for AIDS Relief (PEPFAR – which was established by President Bush in 2003), is unprecedented and catastrophic.

2. The withdrawal of this aid has placed the lives of tens of millions of people in jeopardy. For example, in 2024, 20 million people living with HIV, mostly in Africa, were supported by PEPFAR through life sustaining medications (enabling them to be healthy and productive). HIV transmission to millions of infants was prevented through PEPFAR support for programs giving medications to pregnant women living with HIV. Millions of new HIV infections were prevented through PEPFAR support for prevention programs. 

2.1 Despite claims that life-saving funding, including for HIV, would continue, this was not the case in the vast majority of instances. Dismantling USAID by dismissing nearly all domestic and international staff, effectively disrupted payment systems and removed management systems crucial for keeping funding online.

3. The immediate withdrawal of aid resulted in thousands of PEPFAR-funded health facilities and organizations reducing or ending their services, and well over 300 000 health workers immediately losing their jobs. Without continued access to medication, people living with HIV face deteriorating health and increased likelihood of dying. HIV treatment reduces the likelihood of HIV transmission to sexual partners, so without treatment, new infections are likely to increase.

3.1  Many African countries were highly dependent on funding for their health and HIV funding, and are not in a position to immediately support the gaps created by the US funding withdrawal. There are no funders able to fill these gaps at any sustainable level, and the immediate harms are also going to be long-term harms.

4. It is accepted in the foreign aid system that funding will change from time to time, including being reduced and many countries do so. This is done in a measured way over time, to give countries receiving aid an opportunity to adapt and develop new strategies. The way this was done now, though, exerts the most severe possible harm, and places lives in jeopardy – whereas it could have been done more rationally in a measured way over time. The cost is not only in human lives. The US has breached and lost trust of other countries, and removed the advantage of decades of good will – in short the US is now an unreliable partner.

5. President Trump and Elon Musk refuse to acknowledge that people are dying as a result of these actions, yet the results are worse than war.

6. In other parts of the paper, we highlight the global aids goal of ending AIDS by 2030 – which was set in motion by a political agreement by all countries within the UN – including the US. Achieving this goal depended on sustained funding at current levels over the next 5 years. This goal is now unattainable.

7. We also highlight that the way HIV was funded by PEPFAR, and other funding entities, resulted in HIV being treated in a siloed way – differently from other diseases, often with higher and more exclusive funding. Health responses are more efficient if all diseases are integrated into the health system, and when this is done, health delivery is also more sustainable.

8. We recommend that countries and foreign aid support focuses more on building resilient and sustainable approaches to health to avoid eventualities such as imposed by the current US administration.

9. There are some moves to reorganize and continue US support for health, including HIV, but the focus on a very much reduced number of countries, and largely exclude support for the most vulnerable populations affected by HIV (linked to ideological rationale for not supporting DEI). Whatever shape this reorganization takes, it will be slow to implement.